The model, Steve, is placed in position. Though his right hand will not be cast until later, he holds a rope so that the upper arm will be in the correct position.
Alginate impression material is carefully applied.
The entire torso and left hand are cast in this session.
Cotton is embedded into the wet alginate.
The excess cotton is removed.
Plaster gauze creates a shell or mother mold.
The mold is cast with three layers of Ultracal-30, a US Gypsum cement.
Steve’s right arm is cast in 360 degrees.
The mold is removed from his arm.
The forearm mold is cast with Ultracal-30 and a rod is embedded for attachment to the torso.
The process of alginate, cotton, and plaster gauze is repeated to cast Steve’s right and left arms again. Note the wooden rod, which holds a place for a trident.
The right and left arms are cast in Ultracal-30 cement.
The three arms are fitted around the torso. Where’s the head?
Ashlee, the artist’s daughter, will be the face of Shiva.
The model holds straws to facilitate breathing during the 12-minute process.
Alginate and cotton cover Ashlee’s face.
Plaster gauze creates a mother mold.
The negative mold creates a 3D illusion.
Ashlee’s face is cast in gypsum (Ultacal-30)
The face is fitted to the sculpture.
The finished statue of “Shiva the Destroyer.”
Ashlee mugs for the camera at the opening of Hitchcock’s exhibition “MYTH.”